Monday, February 26, 2018

The EIKON Award (+45) at Künstlerhaus 1050 Vienna


The EIKON Award (+45) at Künstlerhaus 1050

On the occasion of the 100th issue of EIKON – International Magazine for Photography and Media     Art, the EIKON Award (45+) was launched under the patronage of VALIE EXPORT for European women photographers and media artists’ aged 45 and over.

The aim of the award is not only to survey the current conditions in women’s art production, but to focus on the conditions for present day production of women's art, delays in artistic development and practice for late entrants or returning artists and to make a wider public aware of them.

Following the idea of a European exchange in times of current splitting tendencies, the exhibition initiates an interdisciplinary dialogue between the three award-winning artists, SusanMacWilliam, Katrín Elvarsdóttir and Gabriele Rothemann. Thus creating a tour at whose stopping points we are constantly reminded of the unconscious, the spiritual and the (non-) transparent, which are recurring themes in the worlds of all three artists.

The EIKON Award exhibition at Künstlerhaus 1050 will be open from February 16 - April 14th 2108.
For more information check:

Monday, February 5, 2018

Embody at Kopavogur Art museum

                                  Embody / Líkamleiki

The exhibition Embody is a meditation on the human body and manifested in contemporary art. The exhibition presents selected works by artists who share the common factor of referencing the body and embodiment in various ways. For more information check out : Kopavogur Art Museum.

                                                       Vanished Summer 7 (2013)

"In Katrín Elvarsdóttir's Vanished Summer (2013) the interaction of man environment resides in surroundings which are natural and at the same time manmade. Organic forms and circles are repeated in the work, and between the works in the show, where the boundary between nature and humanity becomes blurred"

 Brynja Sveinsdóttir, Curator

Thursday, November 23, 2017



    EIKON Award (+45)

EIKON #100 a special issue with three different covers by Susan MacWilliam, Katrín Elvarsdóttir, and Gabriele Rothemann.

I´m honored to be one of the three women awarded the EIKON Award +45.
On the occasion of the 100th issue of EIKON, the EIKON Award (45+) was launched under the patronage of VALIE EXPORT for European women photographers and media artists aged 45 and over. The addressees are oftentimes excluded from awards by age restrictions, in addition to still being marginalized on the art market on the basis of multiple aspects of their sexual identity. The aim of the award is not only to survey the current conditions in women’s art production, but also to draw attention to and sensitize a broad public for the delays in artistic development and practice of both late entrants and returning artists. 

My portfolio is published in EIKON magazine along with a feature by Lucas Gehrmann Art Historian and Curator of Kunstalle Wien. The special issue is available here: EIKON shop.

Tuesday, August 1, 2017

FISL 2017

The exhibition FISL 2017 is a group exhibition of the members of The Icelandic Contemporary Photography Association at Mikilgarður in Höfn Hornafirði in Iceland.

The Visit is a new work based on my travels to a windswept island far away from my home country. 

The exhibition is in Mikilgarður the old narrow fisherman's barracks, located by the harbour in Höfn. The opening hours are Friday - Sunday from 12-5 pm until August 13th, 2017.

Tuesday, May 23, 2017

Human;Nature at Martin Asbæk Gallery

                                           Human;Nature at Martin Asbæk Gallery

My work is included in the group exhibition Human;Nature at Martin Asbæk Gallery in relation to Copenhagen Photo Festival 2017. In this new exhibition, the gallery focuses on nature seen through the photographic medium. On view are works that reflect the artistic look on nature as well as the artist’s interpretation of it in relation to the human mind.
After mankind nature has through history been the most important inspiration to artists. Our relationship to nature can be interpreted in many ways and nature as a phenomenon itself is almost as complex as the concept of art. Man in nature and nature in man are colliding and moves the beholder out into a deep sea of emotions; happy, sad, dark, angry and romantic. Nature and man’s relation to it is of high relevance in today’s society. We have developed a society with such a strong attachment to technology that we have yet to understand fully how our own capacities can be enhanced by the power of nature. We pace forward in full speed, and life in the city distances us more and more from nature. We often forget to look out for the earth and nature that are making it possible for us to lead the life we do. In this group show you are however able to experience nature through the artist’s’ incredible interpretations hereof and dream yourself away from the tolls of everyday life and the huzzle and buzzle of the city.
Artists: Trine Søndergaard (DK), Astrid Kruse Jensen (DK), Nicolai Howalt (DK), Elina Brotherus (FI), Ebbe Stub Wittrup (DK), Adam Jeppesen (DK), Helen Sear (UK), Katrin Elvarsdottir (IS), Hervé Saint Helier (FR).

                                                  From the series Vanished Summer

Tuesday, November 8, 2016

STARA issue 7

My work Solar Eclipse Shadow is featured on the cover of the Magazine STARA, which is published by SÍM (The Association of Icelandic Visual Artist.  STARA is an online magazine created with the vision and aim to strengthen and contribute to artistic knowledge, as well as being a platform to share information about SÍM. Click here to read the magazine: SIM

Thursday, August 11, 2016

Cyclone 3 at Gallery Titanik

I'm taking part in the exhibition Cyclone 3 at Gallery Titanik in Turku Finland with

From left Hertta Kiiski, Katrín Elvarsdóttir, Mari Krappala, Lilja Birgisdóttir, Marko Mäetamm (on Screen)

Solar Eclipse Shadow ( 2016 )

The exhibition is curated by Mari Krappala
"Cyclone is an area of closed, circular fluid motion rotating in the same direction as the Earth, characterized by inward spiraling winds. Cyclone 3. is a travelling exhibition which leads us to the threshold of circular motions that follow the rotational direction of the earth.
What happens, if we start to think, that human beings are not inherently superior to other living things, in a way that encompasses all species; human, seeds, plants, animals and bacteria are part of a system of interdependence. Cyclone 3. is an interdisciplinary process of exploring this repositioning.
French philosopher Michael Serres calls us to listen what is said both by living beings and the sustainability of our planet as a whole, to look for ways to let the planet speak. Will it help us make sense of our flexible and multiple identities, which are / could be fluid and changeable?
Cyclone 3. is responsive to our changing understanding of life with differences and our world with diversity, facing bio-technologies, climate change, peregrination… Are we able to locate ourselves to be partners of all living beings and all things on the planet with ongoing environmental and social transformations?
The eye of Cyclone is surrounded by a dense ring of cloud known as the eye wall. This marks the most dangerous part of the cyclone having the strongest winds and heaviest rainfall. While exploring different strands of humannature thoughts, there is an interest to provide a voice for marginal communities, organic and non-organic parallers. In response to ‘shared planetary threats’ we might start to find ways to enter to the new kind of civilization with different forms and laws.
What could they be?"

—Mari Krappala

                                     Cyclone 3, installation by Lilja Birgisdottir in Gallery Titanik

After the Solar Eclipse (2016)